the house, settling
a car, far off
your blood, low
your nerves, high
Listen to the stillest hour and it is not still —
the room keeps sounding, and so, faintly, do you.
What we call silence
is a sound pitched too low, or too near, to name:
the timbers easing, the slow tide under the ribs —
proof, if you lie still and listen,
that the dark is never empty — and neither, yet, are you.
listen
Looking for silence in the quietest room ever built, John Cage heard two sounds — the high, they told him, his nerves; the low, his blood. 1951.
nocturne · edition XI · room tone
the line never quite settles; tomorrow it traces something else